After a lovely stroll through the south park blocks in downtown Portland in the late fall, I decided to wander over to the Hotel Madera to snap some pictures of the lovely courtyard designed by local landscape architecture firm Lango Hansen in conjunction with Holst Architecture on the upgrade of the old Days Inn to the new boutique Hotel Modera. The location of the new courtyard replaces what used to be a lifeless parking lot.

From the sidewalk, the trellis structure indicates the entrance point into the courtyard, doubling as a subtle welcome sign. The connection between the courtyard and the streetscape works well in that the courtyard feels like it’s own space and yet is still open and inviting enough not to feel uninviting to those passing by.

A wooden screen between courtyard space and sidewalk creates a feel of enclosure while allowing for the best urban activity of all, people watching. This is especially interesting given the public bus stop right outside.

Once inside, the wood decking leads up to the hotel entrance while a low wall lines the walkway to the left surrounding an outdoor dining area while the open area off to the right is an open, public space. Moveable seating mixed with permanent seating walls invite people to sit down and relax awhile. As the furniture would indicate, the seating walls could either be used for sitting or as a table.

The public space is madeup of a grid that overlays both the horizontal and the vertical space with hardscape, furnishings and planting which create patterns that move in and out of the grid. Patches of vegetation reach out from the vertical wall into the horizontal hardscape with sharp, angular edges that give it a clean, modern feel that meshes with the identity of the hotel. This design is the part that is so intriguing about this space, instead of creating a gridded living wall that simply because of product or budget limitations, this particular living wall not only fits perfectly within the design but enhances the idea of the fluid grid.

One might say that the vegitated wall looks too regimented unlike the walls of Patrick Blanc which run seamlessly without lines. But here, such a seamless style would not make sense and instead the vegetated tiles work perfectly. They even seem to float, almost giving off the sense that the viewer could move them about as they wished by simply pushing them around.

Metal edging details the planting areas, separating them from the precast paving tiles. Some plants are clipped and manicured to remain within the square and rectangular spaces while others, like the soft grasses, are allowed to flop outside the lines.

A rough rock slab and gravel pathway move through lush, vegetated squares that bring the viewer close to the living wall amongst the ferns and grasses. Here one can touch and look closely at the vegetated tiles that make up the wall.

I believe the vegetated wall panels are the Green Wall Panels by G-Sky. These are pretty cool products that make it easy for even the vegetated architecture novice to achieve good results. The designer can select a palette of plants that fits in with their design, G-Sky will then plant the tiles for them. Pretty simple and easy. Here it looks like they are planted with a mix of dirt inside of fabric pouches and moss has filled in some gaps around some of the smaller plants. Drip irrigation is then added behind the system and here it is allowed to drip freely out the bottom and drain into the nearby planter bed.

This plaza has successfully managed to blend the feel of the richly vegetated Pacific Northwest with the clean lines of modern architecture while bringing in a cool element of new technology within landscape architecture. While this space was rather empty in these pictures, I’m certain that it’s just because it had recently rained and it was bitterly cold out. I can only imagine that on a sunny day this space would be full. I’ll make sure to visit again to capture this space on one of those days.

images (c) Lisa Town

While I am not wild about the turf in this courtyard of a residence in Bangalore, Inida, I am however intrigued by this space, especially that it is above the ground level. Cadence, an architectural group from India, has chosen to abandon the traditional thought of what a courtyard is, typically in the center of a dwelling and instead here the court is shifted to one of the outer quadrants to create a stronger relationship with the outdoor world rather. This enhances an outward connection versus creating a introverted dwelling. The light streaming through the perforated walls exhibits a characteristic similar to light streaming through trees, enhancing the effect of being at a higher level. Perhaps like a tree house.

A sculptural element creates the centerpiece to the open air court. This flexible element houses the tree and allows for an informal outdoor eating and sitting space. I quite like the fluid lines of this piece.

images via archdaily

Designed by Kristine Jensen and winner of the 5th Rosa Barba European Landscape award, the Nicolai Kulturcenter in Kolding, Denmark is transformed from the alley-like outdoor space of the former educational center into an integrated and inviting cultural space for activities in music, cinema, literature and art.

The circular amphitheater, a signature piece in the space, is used for outdoor theater performances, cinema and concerts blends new materials with old, introducing a Cor-Ten steel wall surround.

To offset the rather industrial nature of asphalt, old buildings and steel, a bit of whimsy is introduced into the space through neon flowers decorating the side of one of the buildings and white thermoplastic detailing graphic patterns in the asphalt and surrounding trees. This detail helps to bring in an element of playfullness as this courtyard will be used for the multidiscplinary acts of play while at the same time instilling a subtle sense of order to the otherwise vast, open space.

From Bustler: “It consists of various elements that are connected to areas designated for outdoor activities: the entrance; a garden where children can play and relax on the grass; a terrace for patrons of the cinema cafés; a large circular stage used for outdoor cinema in summer and for theater performances and concerts; a shopping area; a small garden next to the music hall; and a multifunctional square. A Cor-Ten steel wall and a Cor-Ten steel stage/platform have been built along the two terraces situated on the west side. The playground’s sloping terrain is prevalent in the project, and a new blacktop has been installed, which delimits the area with thermoplastic patterns and street paint.”

images via Kristine Jensens Tegnestue