Growing Vine Street is an inspirational concept developed back in the ’90′s by a group of Belltown neighborhood residents in downtown Seattle that revolves around expanding the Belltown P-Patch and merging it with the idea of turning the 8 blocks of Vine Street into a green street that would provide public access to the waterfront. These blocks are intended to act as an example for urban greening, to provide a desireable setting for pedestrians within the streetscape while capturing and treating stormwater through biofiltration and enhancing natural habitat.

The plan, via growinvinestreet.org:

“Central to the Growing Vine Street concept is the runnel, an urban stream running the street’s entire eight-block length surrounded by native greenery. Storm runoff from the roofs of buildings bordering Vine will be collected in large cisterns in each block to supply the water for the stream. As the water flows through the plantings lining the watercourse, it will be treated through the process of biofiltration, which will remove many of its impurities so that it will be clean enough to be released directly into Elliott Bay-without passing through the City’s overworked water treatment facilities.”

“Between Fifth Avenue and First Avenue, Vine Street is relatively level. In this section, the public right-of-way will be reconfigured so that one side is narrow (with a sidewalk and narrow planting strip) and the other is wide. The runnel will meander through the wide side of the street, surrounded by as much greenery as developers and residents can manage. These wide segments will form a refreshing linear park, a setting for creative public art as well as nature.”

“At First Avenue, Vine Street slopes to Elliott Avenue, where it again levels out. Here the street right-of-way will be reconfigured in a switchback alignment to allow for more dramatic water features. One such project is the Cistern Steps adjacent to the Belltown P-Patch. The Cistern Steps is planned as a series of terraced planting areas stepping down the slope. Water from the runnel will flow into the top garden, overflow into the next, and continue to a small pool at Elliott Avenue.”

The entire length of Vine Street was not intended to be built all at once but rather incrementally as new development occurs with each segment connecting into the larger plan over time. So far, two of the planned projects have been completed, the first was the Beckoning Cistern in 2003 which went in as part of the development of The 81 Vine Building. This is the first of what is planned as at least one large cistern for every block to collect rooftop runoff. The next project to follow was the Cistern Steps in 2004, the cascading water feature that runs alongside a flowing set of stairs along the edge of the Belltown P-Patch. Eventhough the entire plan has not yet been completed, the project is seen as a success, has brought about a great deal of praise and is looked upon as one of the pioneer projects of the Seattle green streets.

Beckoning Cistern
The first project to emerge from the plan, the streetscape and artwork of the Beckoning Cistern were constructed along with work at The 81 Vine Building. Local designer Buster Simpson saw inspiration from Michelangelo’s painting on the ceiling of the Sistine Chapel. Like Adam reaching out to touch the hand of God, the 10-foot tall cistern is designed like a hand that reaches out over the sidewalk from a shirt sleeve and towards the downspout which leans out from the building.

The connection from the downspout to the index finger allows some of the rooftop runoff to run into the cistern with the rest cascading over and down into the water garden and series of stepped pools that run along the sidewalk along with native vegetation. A smaller vertical pipe garden also runs up the side of the building.

The Cistern Steps
The steps are an extension of the Beckoning Cistern that flow the two blocks from it’s base and alongside the Belltown P-Patch down towards the waterfront. Seattle-based firm SvR Design, an integrated group of civil engineers, landscape architects and planners provided the streetscape and stormwater design for this dramatic cascade of stormwater terraces and pedestrian steps.

“The Cistern Steps consists of a series of three terraced concrete planters tapering from a wide plaza at the alley to the narrow sidewalk right-of-way at the intersection of Vine Street and Elliott Avenue. The runnel will flow from planter to planter, ending in a pool formed from a large, rough-hewn piece of Northwest jade at the foot of the slope. In this segment of Vine Street, there is no adjacent building to feed the runnel, so water will be received from the newly constructed Vine Building across the street, which was designed with a special collection system for roof runoff just to supply the runnel.”

“Like the Beckoning Cistern, the Cistern Steps has been designed to delight pedestrians as well as to process and use roof runoff in an ecological manner. The water gardens of the planters will echo the lush greenery of the adjacent Belltown P-Patch. Even more color will be added with inlaid tile signage on the plaza walls at the alley and on the risers of the steps in the sidewalk passing between the P-Patch and the Cistern Steps. Even the stair railings will be works of art forged by Belltown’s own Black Dog Forge.”

photos (c) Lisa Town, concept graphics via growingvinestreet.org

SvR Design is also the firm responsible for the Thornton Creek Water Quality Channel previously posted about here and with an update after a rain event with pictures here.

Chicago-based political artist Michael Rakowitz has been working on a project called paraSITE since 1998 that tackles the issue of homelessness that is an unfortunate reality of all urban areas. His inventive approach seeks to reuse warm air that leaves buildings through outtake vents for portable and personal temporary homeless shelters. He has built and disbursed over 30 different designs through different urban sites in New York City, Boston, Cambridge and Baltimore. All shelters were constructed using temporary materials that were readily available on the streets. The image above was constructed out of clear trash bags, ZipLoc bags and clear waterproof packing tape on a budget of $5.00.

The artist chose to name the project after the parasitic organism due to it’s place in the environment as something that exploits the energy of it’s host, like these temporary structures do by using the warm air that leaves a building from its heating, ventillation and HVAC systems for both inflation and heat.

The most interesting thing about this project is not just the general idea but the fact that it is not only site specific but person specific in that each shelter uses materials found on-site and are used to construct a shelter that responds to the specific needs and concerns of each individual like security, privacy, space and even laws.

The image below, which is from New York City, is especially interesting because it was specifically designed like a sleeping bag to get around the anti-tent law which states that any structure on city property that is 3 1/2 feet or taller would be considered an illegal encampment. The man was even confronted by police officers on several occassions but then left him alone after measuring the shelter and finding that it did indeed conform to the law.

Given that the situation of homelessness in our cities is on the rise, acts like this fuel the debate of what to do and what the future might be for our urban spaces as it relates to these people constantly seeking refuge amongst the buildings. From the project site,

“While these shelters were being used, they functioned not only as a temporary place of retreat, but also as a station of dissent and empowerment; many of the homeless users regarded their shelters as a protest device, and would even shout slogans like ‘We beat you Uncle Sam!’ The shelters communicated a refusal to surrender, and made more visible the unacceptable circumstances of homeless life within the city.”

“For the pedestrian, paraSITE functioned as an agitational device. The visibly parasitic relationship of these devices to the buildings, appropriating a readily available situation with readily available materials elicited immediate speculation as to the future of the city: would these things completely take over, given the enormous number of homeless in our society? Could we wake up one morning to find these encampments engulfing buildings like ivy?”

The artist doesn’t propose this as a solution for this very large and global problem but simply wishes to assist in furthering the discussion.

Its point of departure is to present a symbolic strategy of survival for homeless existence within the city, amplifying the problematic relationship between those who have homes and those who do not have homes.”

Sometimes human behavior will provide hints on what people want or need. Other times people make downright obvious, like painting on their own sidewalk in an area where pedestrians feel unsafe with the current situation. This may be the work of someone who has had a few too many drinks thus prohibiting their ability to make a straight line but nonetheless, they were well intentioned. One thing to note is that this spot in Portland at the intersection of East Burnside and Northeast 8th Street is already slated to receive a stop light in the near future.

This image was spotted over at bikeportland.org and was taken by the City’s own Vice-Chair of the Pedestrian Advisory Committee, Doug Kolz.